I have been over the last couple of months been doing an extensive on alternative tuning systems based on sacred musical scales of ancient Egypt and ancient Mexico. I have incorporated these systems in the past into my three CD's [Celestial Spheres, Ancient Lands, and Nadaum]
http://www.cdbaby.com/Artist/SacredResonance for more info!
I have looked into the work currently of Dr. J J Hurtak which I presented an academic paper at ACMC 2006 at Adelaide University exploring connections between pitch's of A and F/F# of the Great Pyramid of Giza and those of Mexico like Chichen Itza. Frequencies connected A 55, hz 110hz & 440hz - F# at 360hz ,380hz, and F# two octaves higher at 1550hz. See my article
ANCIENT GEO-PHYSICAL COMPUTER, ADVANCED ACOUSTICS AND BIOFEEDBACK Now I have spent endless night's in comtemplation, meditation and speaking to world experts on alternative systems system's that explore other systems that the A440 or Concert A or Middle A is the 440 Hz tone that serves as the standard for musical pitch.
What I have come to believe is that we in the western world need to look to the sacred eastern traditions for new ideas in alternative tuning systems other than the 440 hz "Concert A" for only in 1936, the American Standards Association recommended that the A above middle C be tuned to 440 Hz. -- Before this time Concert A has been any where from 423.5 Hz to 460 Hz. Tuning forks in previous times where the basis for this central tuning. i.e:
Taken from
http://csun.practicapps.com/411/lecture11.php?src=In 1780 [A=421.6 hz] supposed to be Mozart's pitch from Vienna, Austria
In 1751 [A=422.5 hz ] Handel's tuning fork from London, England
In 1711 [A=423.5 hz ] an existing tuning fork of John Shore from London, England
Even up to [A=432 hz ] Brussel, Belgium Proposed pitch standard and [A = 456.0] Viennese 'high pitch' going all the way up to 570.7 hz as A.
What we must note is that the majority of our instruments and electronic software is standard to A 440 hz.
Now where to go from here:
We I am interested in is what are the sacred frequencies that are aligned with nature and supernature and how they connect in with the body and sacred geometric alignments.
I am going to be offering courses online and in person for "sacred music" composers and new age artists that want to understand how we can modulate consciousness through new connections of frequencies found in nature like those of the, Golden Section of 1.618 and Pi 3.142 and Phi how these tie into frequency patterns of the worlds great pyramids and temples and how astrophysical objects also show direct harmonic acoustic patterns.
NEW SPIRITUAL INSIGHTS:
One way I have been exploring this in the realtionship of color to sound. I like to call this spiritual acoustic light taken from the teachings of Enoch, Melchizedek and Metatron. These intelligence that connect back to ancient Egypt and Mexico from the Scriptures of Light. Ancient Shamans had connections to these mystical masters and documented there teachings and a section of these inner teachings where on the reality of "transformational linguistics" and "harmonic resonance" where the power of Mantra [sacred sound], Yantra [sacred image] brought forth teachings of how sacred geometry of sound, color and pictograph can modulate the inner consciousness effecting the brain waves and our matter-energy bodies for altered states of consciousness. I explored an aspect of this research in my honours thesis of "binaural beat frequencies" effect brain waves and how using these patterns can create positive states of being!
